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Tuesday, July 31, 2018
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Bezeichnung | The Drop 2014 |
Dauer | 131 kleinst |
Verzicht | 2014-09-12 |
Güte | M4V 1440p HDTS |
Buchgattung | Drama, Crime |
Ausdrucksweise | English |
castname | Kerr G. Paisley, Monique G. Becca, Dielle C. Joffé |
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Anrecht | Free the Nipple 2014 |
Geltungsdauer | 158 Konzept |
Freistellung | 2014-12-12 |
Beschaffenheit | FLA 720p DVDScr |
Buchgattung | Drama, Comedy |
Fachsprache | English |
castname | Dupuy X. Aminoor, Riannan C. Lacoste, Haydee E. Nine |
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Name | The Excursionist 2013 |
Zeitdauer | 112 peinlich genau |
Kinostart | 2013-09-27 |
Güte | MPEG-2 720p Blu-ray |
Gattung | Action, Drama |
Programmiersprache | Lietuvių, Pусский |
castname | Devynn G. Valiant, Saloni B. Ambre, Quiron E. Lekisha |
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Rechtsanspruch | Se chiudo gli occhi non sono più qui 2013 |
Dauer | 148 Notiz |
Erlösung | 2013-11-11 |
Eigenschaft | M2V 1440p DVDScr |
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castname | Aida P. Garnet, Ortega Q. Cennet, Haylee O. Carol |
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Adelstitel | Purnodoirgho Prem Kahini 2013 |
Dauer | 199 kurzer Entwurf |
Abgabe | 2013-10-16 |
Eigenschaft | Dolby Digital 720p TVrip |
Buchgattung | Romance, Drama |
Fachsprache | |
castname | Meriam L. Gaelle, Sélène I. Bourvil, Lorie K. Ayanna |
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Monday, July 30, 2018
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Sachtitel | Personal Space Invader |
Geltungsdauer | 134 Memorandum |
Abgabe | |
Qualität | M4V 1440p BDRip |
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castname | Ghania C. Katie, Daynton O. Rovan, Korbin W. Réda |
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Adelstitel | Queerbait 2013 |
Dauer | 155 Notiz |
Auslöse- | 2013-10-25 |
Beschaffenheit | FLA 1080p WEB-DL |
Buchgattung | Comedy |
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castname | Talon T. Cherrie, Yennie Z. Shirley, Ceira H. Mathias |
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Bezeichnung | Beauty and the Beast 2014 |
Geltungsdauer | 162 Minute |
Aussetzung | 2014-02-12 |
Beschaffenheit | DAT 1080p DVD |
Genre | Fantasy, Romance |
Jargon | English, Français |
castname | Maxwell Y. Abbie, Jatin Z. Garry, Alanood O. Hiba |
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It seems as if big screen dueling cinematic fairy tales are the trend within the last few years at the box office. Back in 2012 movie audiences were bombarded by the _Snow White_ avalanche when filmmaker Rupert Sanders’s _Snow White and the Huntsman_ had the share the releasing spotlight with director Tarsem Singh’s _Mirror Mirror_ (although Singh’s whimsical narrative had the head start in hitting the movie theaters first by a mere two months). Now in skipping ahead four years later we seem to have a repeat performance with another classic tale involving youthful fairy tale femininity as the focus shifts to the “Beauty” from Jeanne-Marie Laprince’s **Beauty and the Beast** (or for the French-speaking movie-goers “Le Belle et Le Bete”). In 2016, co-writer/director Christophe Gans’s (“Brotherhood of the Wolf”, “Silent Hill”) **Beauty and the Beast** makes its lavish entrance into the movie mindset of viewers waiting to see what amounts to be another stagy screen adaptation of Laprince’s vintage and unconventional fairy tale romancer. Bill Condon’s musical film version of **Beauty and the Beast** will makes its entry a few months later in March 2017.
No doubt that Gans’s French live-action version of **Beauty** has a breathtaking visual vibrancy to its opulent production. Plus, it certainly does not hurt the polished product when the film features a couple of France’s big-time smooth cinema stars in leads Vincent Cassel and Lea Seydoux. In any event, **Le Belle et La Bete/Beauty and the Beast** was originally produced in 2014 so now it is making the rounds to the U.S. shores and elsewhere. As imaginative and sleek that Gans’s colorful showcase is in its elegant presentation the film fails to offer anything dramatically darker or delirious that dares to separate any distinction from past interpretations of this famously familiar story for the ages.
The sentiment has always been realized that if you are going to regurgitate epic fairy tales that have been done countless times over with richer reception then your current installment better bring something more stimulating and introspective to the creative table for feasting. For the longest time Disney, in particular, had the notable monopoly on the animated musical _Beauty and the Beast_ from the early nineties. Also, Jean Cocteau’s nostalgically hypnotic 1946 fantasy offering still manages to resonate as well. Somehow Gans’s elaborate and eye-popping take on the photogenic cutie and the misunderstood creature does not quite translate or connect beyond its obvious sumptuousness. **Beauty and the Beast**, at least in modern-day and future outings, should strive to the accountability of being more than a serviceable non-traditional love story saddled in sparkling trivialities.
A French widowed merchant (Andre Dussollier) is practically destitute after his ships are lost on the high sea. So the bankrupt family man of six children packs up and moves to a quaint countryside home to try and reclaim his chaotic life. His absent ships are not the only thing that is considered lost as his brood of problematic offspring are a handful. However, the one bright spot out of the unruly bunch is youngest daughter Belle (Sedoux, “Blue is the Warmest Color”). Whereas Belle’s dissatisfied siblings are not thrilled with the relocation and overall less-than-stellar circumstances she in fact is taking a positive approach to the land and her father’s unsettling situation at hand.
Feeling underappreciated and disillusioned by his vain children (with the exception of his beloved and sensible Belle of course) the Merchant roams into the forest where he eventually ends up lost until he stumbles upon a castle owned by the ominous Beast (Cassel). The Merchant decides to take a gorgeous red rose from the property as a kind gesture to give to his only grateful child Belle. However, the Merchant absconding with the red rose did not quite sit right with the retaliatory Beast. This treasured red rose is the symbolic reminder of the Beast’s cherished late wife. As a result the Merchant must pay the ultimate price in the eyes of the demanding Beast by holding him for rightful compensation. Specifically, the Merchant must be in life-long servitude to the fearsome Beast as selected punishment. Should the Merchant not comply with his indefinite servant role then the Beast promises to eradicate his entire family. Yikes!
Thankfully, the Merchant is given one day off from the Beast’s clutches to inform his selfish-minded children of his dilemma at large. When the Merchant says his last goodbyes to his family a concerned Belle gets word of her father’s inescapable fate. Feeling guilty and somewhat responsible as the recipient of the so-called forbidden red rose Belle rushes over to the castle and offers herself as a suitable replacement for her father’s harsh sentence as the Beast’s human piece of property. Fortunately, the Beast accepts the swap as Belle is allowed to assume her father’s servicing duties. Thus, Belle benefits from the Beast greatly as he occasionally spoils her with pretty outfits and lets her enjoy the castle’s majestic surroundings–a far cry from where she hails from domestically. The stipulation is that Belle must have a mandatory dinner with the Beast each and every evening. Otherwise, the co-existence between the duo is solid and non-confrontational.
Soon, the lonely Beast would start to develop romantic feelings for his acquired comely helper. At first Belle is repulsed by the fact that her hideous-looking overseer would dare to suggest that his heart yearns for her especially when this seemingly corrosive creature had her father (and currently now her) in a reluctant arrangement to serve his anti-social, personalized needs. Belle eventually realizes that the Beast is rather intriguing to her and not as sinister as she first imagined. Their bond tightens as the days go by and Belle cannot help but dream about how the Beast came to be from ages ago. Surely he must have been captivating in his regal heyday and stylized existence despite whatever heavy-handed pathos that had destroyed this once passionate soul. Clearly, the Beast is in search of true love and companionship so the golden question remains: can Belle be the beauty that finally eases his inner pain and comes to the rescue of his empty heart?
When Belle requests a reprieve from the Beast for a day to check in on her father he grants her his permission but nevertheless insists that her betrayal in not returning to him may invite more devastating grieve and sadness. Surely Belle does not want the Beast to be overcome with wrought based on her potential deception. It does not get any easier when Belle learns of her riff raffish older brother and his crew that are planning on raiding the castle and killing the Beast in the process of stealing all his wealthy possessions. Naturally, Belle’s love and attraction for the Beast is set in stone as she cringes at the potential harm her misguided family has on the mind to lift his riches and end his life. Will Belle’s deep-seeded affections for the Beast be enough to prevent her wayward clan from harming a hair on her beleaguered suitor’s hunted head?
Gans skillfully deploys the showy special effects techniques that give glorious sheen and wonderment to this French fantasy trying to invigorate a sense of surreal romanticism. Indeed, **Beauty and the Beast** boasts a robust landscape riddled with its telling brand of atmospheric charm and escapist curiosity. Besides, a French-made re-imagining of this glossy folktale should scream volumes of a dream-like aura that paints an alluring picture. Although Gans strikes a boisterous balance in conveying his exposition with the gumption of a rousing spectacle worthy of its welcomed glitter **Beauty** still feels rather distant and incomplete without adequately generating any substantive chemistry between its lovelorn leads.
Individually, both Seydoux and Cassel bring a refreshing vitality to their suffering characterizations. Cassel’s Beast is effective as the languishing, wounded wonder imprisoned by his past emotional demons while Seydoux’s Beauty/Belle demonstrates a feisty heroine not afraid to embrace the loveliness of her persona. But Gans fails to provide any consistent rapport between Seydoux and Cassel collectively as they share awkward dinners and matter-of-fact conversations that do not seem to register with much gusto. Seydoux’s Belle aimlessly parades around in designer dresses as Cassel’s beastly kidnapper methodically pines for his curvaceous captive. In fact, Cassel’s Beast has more romantic reverence in flashbacks towards his departed wife than he does in contemporary times with his desired Belle. When the third act involves Belle’s villainous brother and the plot to ruin the Beast’s livelihood the film turns into a recycled revenge period piece that places more emphasis on the Beast’s periled predicament than the intended juicy love story between a mismatched pair of lovers building a tenet of belonging.
Gans (and co-writer Sandra Vo-Anh) deliver a _Beauty_ of a package that befittingly wallows in the shadows of previous_ Beast_ editions. This fairy tale falls short of its entertaining goal despite its pleasing, tangy wrapping.
**Beauty and the Beast (La Belle et La Bete)** 2016
Shout! Factory Films
1 hr. 48 mins
Starring: Vincent Cassel, Lea Seydoux, Andre Dussollier, Eduardo Noriega, Audrey Lamy, Myriam Charleins, Nicolas Gob, Jonathan Demurger, Yvonne Catterfeld, Louka Meliava, Sara Giraudeau
Directed and Co-Written by: Christophe Gans
MPAA Rating: PG-13
Genre: Fantasy and Romance/Sci-Fi/Mystery and Suspense
Critic’s Rating: ** stars (out of 4 stars)
(c) **Frank Ochieng** (2016)
**The French version of the famous fairy-tale.**
I should have seen this before the latest Disney version of the tale. It came a couple of years ago, with a wonderful cast and visuals. French cinema is not a great vfx powerhouse. Unlike most of the famous Hollywood mythical and fairy tales originated from Europe, it's rare to see them converted to films in the similar fashion in its homeland. One of the reasons was the international market, to earn back everything they have spent for it, and more. When such projects do happen, sometimes the filmmakers tie up with Hollywood co-production to secure returns. Even if you take this film's worldwide box office, nothing overwhelming. But the challenge they had taken was truly appreciable.
That's not it, this is the most redesigned versions of them all I've seen so far. Because I haven't seen any other than Disney's, excluding the modern timeline adaptation like 'Beastly', 'I' et cetera. Yeah, even the Disney's live-action retained original from their animated version, but visually extraordinary. And in here, the story was same, thought told in a different way. The graphics too were very nice, I did not expect that. Despite it is being a fantasy and a children's tale, the contents were more serious. That reveals they were very keen to bring the adults to the screens than the kids. Yet nothing too seriously targeted the grownups like 'Tale of Tales'.
Everyone knows the basic storyline of this tale. A recently lost their fortune, a family of six siblings with their father relocates to a small farmhouse. No one other than the youngest daughter, Belle, was happy to be in such nature surrounded place. But one day when her father got into a big trouble, she takes his position and becomes a prisoner in an abandoned castle. Since then she begins to learn about the mystery man of the castle, particularly his past, reason to be ended like that. And following, a twist in the narration leading to the finale, everyone's fate will be revealed.
> ❝Remember... A life for a rose.❞
The film was two hours long and well filled with the scenes in it all over. It doesn't feel like we're watching a fantasy film. The colours, costumes, medieval story, misty mountain, all is the major reminder that you are watching a fairy-tale. Though you won't get anything magical from the story right away. Not until the third act. As for the story, from such vastly known tale, you can't expect any major surprise. As I said, some minor changes can be witnessed throughout. But such kind of scale the flick has in all the department, that too coming from Europe makes it a very special.
Definitely no to comparison with the Disney's. Both of them were fine products on their own way. But people would compare and pick one when they are based on the same source. That can't be stopped. Disney had created their own brand, aiming for kids. You can find the people who liked both the live-actions. I never knew the original tale, I mean from the original source/text. Those who are familiar with are saying, this is most closest one. But something I did not understand was the Beast was cute furry Beast, just like Disney's. I anticipated something tough physique, hard character, I mean Beast as a real Beastly.
Excluding that slight displeasure, I have had no other complaints with the film. I enjoyed it, yet there's another thing which is actually a question rather than a disagreement. The actors did their parts, though I felt the Beast character should have been played by a younger one. Vincent Cassel is a brilliant French actor and he did his best for it. Lea Seydoux as Beauty surely an excellent pick. The direction was good. Cautiously spent for everything in the film. So they have got a fine final product. Most of the people going for it, only keeping in mind Disney. You won't get that Disney's singing, dancing, overall appeal. One must clear off his mind from any great ideas and then only give it a try. Remember, it is not a very good film, but simply a good film.
_7/10_
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pinion gear DeutschÜbersetzung – Linguee Wörterbuch ~ an dem ein Endabschnitt des Gurtes 22 befestigt ist ein Antriebsmittel 48 zum Antrieb des Getriebes bei einer Notbremsung eines Fahrzeuges zur Drehung eines Ritzels 42 in die Aufwickelrichtung des Gurtes 22 dadurch gekennzeichnet dass sie ein anfängliches Antriebselement 56 62 72 112 82 auf dem Ritzel 42 zur Aufnahme einer anfänglichen Antriebskraft von dem Getriebe zur
workers council DeutschÜbersetzung – Linguee Wörterbuch ~ Nach Einstellung des Erzbergbaus wurde die Gesellschaft für Strahlen und Umweltforschung mbH GSF auf Empfehlung des damaligen Betriebsrates der Schachtanlage Konrad vom Bund beauftragt ein wissenschaftliches Erkundungs und Untersuchungsprogramm durchzuführen im Hinblick auf die Eignung der Schachtanlage Konrad für ein Endlager für radioaktive Abfälle
Liste von Fluggesellschaften – Wikipedia ~ Dieser Artikel beinhaltet eine Auflistung aktiver Fluggesellschaften Eine Ordnung nach Größe findet sich auf der Liste der größten Fluggesellschaften der Welt Ehemalige Gesellschaften sind in der Liste ehemaliger Fluggesellschaften aufgeführt
Codes IATA ICAO Codes für Fluggesellschaften ~ Hier finden Sie IATA ICAO Codes für internationale Fluggesellschaften mit Callsigns
Codes IATA ICAO Codes für ~ Hier finden Sie IATA ICAO Codes für internationale Fluggesellschaften mit Callsigns
United States Army – Wikipedia ~ Die militärische Neuzeit auf nordamerikanischem Territorium begann mit der Ankunft der ersten Siedler im frühen 17 Jahrhundert Gemäß ihrer Herkunft orientierten sich die Bewaffneten unter den Siedlern an britischen Militärtraditionen mussten sie jedoch an neue Bedingungen anpassen wie die geringe Besiedlung und das spontane Vorgehen der Indianer
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Tumbledown 2013 filme anschauen
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Titel | Tumbledown 2013 |
Zeitdauer | 165 Konzept |
Aussetzung | 2013-10-25 |
Güte | Sonics-DDP 1080p Bluray |
Gattung | Drama, Mystery, Romance |
Programmiersprache | English |
castname | Gunreet Y. Meesum, Hamady W. Rukiye, Masson T. Faiza |
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Boyhood 2014 filme anschauen
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Buchtitel | Boyhood 2014 |
Geltungsdauer | 191 sehr klein |
Abgabe | 2014-06-05 |
Güte | AVCHD 1440p HDTS |
Buchgattung | Drama |
Fachsprache | Español, English |
castname | Audree U. Sheika, Tacy C. Burnett, Marlena M. Ruest |
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**Phenomenal**
When you think back to _Slackers_ you remember how easy that movie flowed. How comfortably it drifted. Just go with it. Let it happen, live in the moment. Then there's the _Before trilogy_ which again seemed effortless and free-flowing yet constructed with so much care that you knew this filmmaker was not only unusual, but acutely human. That he cherished experience and learning and submitted to the eternal present, surrendering to and tinkering with fate, while tending to the perpetually immediate situation with enormous sensitivity and regard.
But nothing could prepare you for _Boyhood_. You can't overstate the fact that it's a grand free-flowing time-lapse experiment and that most of the actors--no not actors, not performers--most of the people were cast when the central figure was a very young boy, looking up at the sky, having no idea how his future would unfold. The world might be a stage but Richard Linkater is not omnipotent. As a definitive work-in-progress, a daring collaboration with fate and destiny, who could really know how the boy's script was going to turn out, and how the wide array of voices in his life would shape him as he stumbles toward adulthood? Only a true sure-footed and fluid filmmaker, an authentic disarming innovator could raise this baby with as much beauty and wisdom. Dazed and Confused? Make room for Clear and Composed.
Hear the lamb howl. _Boyhood_ is a daring experimental wolf wrapped in conventional wool. Needing to be shot chronologically, the linear time-line and 12-year shooting schedule called for a fresh and original approach to crafting a movie. If something went wrong during the many long gaps in production, say, if an actor suddenly became unavailable, or some drastic circumstance threatened to break the continuity of the boy and his family's life, there's no going back to re-shoot. No relying on special effects make-up or casting young and old versions of a character. The faith invested in this concept and the delicate handling of it's execution is a marvel to witness, blooming before our eyes.
Patricia Arquette was growing up too. Aging faster than Ellar Coltrane, it appeared. This movie defies breaking up into a series of disjointed, episodic fragments. And Arquette stitches together an admirable and dedicated performance as the ubiquitous maternal defender who struggles to keep herself and her family from falling apart. Because of the blur between fiction and reality, between drama and documentary, and because of the way Linklater is able to nurture the process and allow his films to take on a life of their own, Arquette may not be acting on set any more than she has to in real life. A slight adjustment in perspective and this movie could have been called _Motherhood_.
Richard Linklater's 'Boyhood' is a brilliant film about life and the struggle to find meaning. It follows a family through a twelve year period as they endure situations and tackle obstacles together. The main technical aspect of the film is a very controversial and memorable one as Linklater hired his main actors and continued to follow them for twelve years thus adding to the realism of the feature adding much poignancy to the themes. The overall direction can be considered very naturalistic and simple but there are wonderful shots of natural environments such as the beautiful river that Mason and his father visit representing the beauty of life whilst underlining the insignificance of man's role in the world.
The screenplay is a touching study of the meaning of life. There is a great balance of humour and heart-rending dialogue throughout the film. At 165 minutes, the movie is a long one but the pacing was perfect and captivating that I hardly noted the film's duration. The characters each have profound dialogue in which they discuss the journey of which they (and we) are going through and question the reasoning of difficult events.
The performances in 'Boyhood' are exceptional. Mason (Ellar Coltrane) starts off as relatively inexperienced and under-developed but matures as the film progresses adding substance to his character's arch. This performance is supported by the excellent Patricia Arquette who plays the mother. Arquette manages to portray the mother perfectly as she undergoes traumatic events that shape her family's life.
Overall, I feel that 'Boyhood' is a technically brilliant achievement in film-making. Not only is the process fascinating in terms of the methods used to create the film but it is also a fascinating investigation into time.
★★★★½
Richard Linklater – Wikipedia ~ Leben Linklater ist als Filmregisseur ein zahlreichen Gelegenheitsjobs gründete er in Austin eine kleine Filmproduktionsfirma um seinen ersten Kurzfilm zu drehen der 1985 erschien Gemeinsam mit Lee Daniel den er über die Heart of Texas Filmmakers eine Gruppe von Super8Filmemachern kennengelernt hatte gründete er 1985 die Austin Film Society
Christina Moore – Wikipedia ~ Leben Christina Moore sang und spielte als junges Mädchen in der örtlichen Kirchengruppe In der Highschool tourte sie mit einer KinderMusicalTheaterTruppe in erstes Engagement war eine Rolle im Musical Abraham Lincoln Boyhood Der junge Mr LincolnSie absolvierte eine Ausbildung an der Illinois Wesleyan University School of Theatre Arts und zog danach nach Los Angeles
DDLme • Browse Moviez • Page 1 ~ Star Wars Das Erwachen der Macht 2015 Abenteuer Gravity 2013 Drama Boyhood 2014 Drama
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Ishk Actually 2013 filme anschauen
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Titulierung | Ishk Actually 2013 |
Zeitdauer | 147 Besprechungsprotokoll |
Kinostart | 2013-10-25 |
Eigenschaft | MPEG-1 720p HDTV |
Gattung | Romance, Drama |
Jargon | हिन्दी |
castname | Brioney T. Jenisha, Isac L. Weber, Adriane R. Laylah |
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Sunday, July 29, 2018
Bob Birdnow's Remarkable Tale of Human Survival and the Transcendence of Self 2013 filme anschauen
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Bezeichnung | Bob Birdnow's Remarkable Tale of Human Survival and the Transcendence of Self 2013 |
Zeitdauer | 173 minutiös |
Befreiung,Entbindung | 2013-10-11 |
Eigenschaft | MPEG-2 1080p WEB-DL |
Buchgattung | |
Sprachfähigkeit | English |
castname | Naïm G. Hersant, Hobert Z. Jeylan, Thaiba L. Chase |
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A Harbour Town 2013 filme anschauen
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Sachtitel | A Harbour Town 2013 |
Zeitdauer | 134 Besprechungsprotokoll |
Aussetzung | 2013-07-19 |
Eigenschaft | Dolby Digital 1080p VHSRip |
Genre | Mystery |
Programmiersprache | |
castname | Flamand A. Shaily, Célian L. Downs, Koen H. Bilel |
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Kunststoffschrauben Schrauben Kunststoff WN1412 ~ Als Spezialist in der Schraubenbranche versteht sich die Hans Schriever GmbH Co KG als kompetenter Ansprechpartner in Sachen Schrauben für Kunststoffe Schrauben für Leichtmetalle Schrauben für Duroplaste Schrauben für Dünnbleche und gewindefurchende Schrauben Dabei achten wir besonders auf 100ige Kompatibilität zu gängigen Formaten
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